ELLEN AMANN JOHNS
PRODUCTION DESIGN & ART DIRECTION
hi.ellen.works@gmail.com
IMDB
FILM & TV
TOO MUCH
100 NIGHTS OF HERO
FOR LIFE (ALL OF YOU)
FREELANCER
BIRDSONG
GO HOME
SWEAT
MUSIC PROMO
DUA LIPA X BARBIE ‘DANCE THE NIGHT’
FONTAINES D.C. ‘IN THE MODERN WORLD’
EMINEM ‘THE DEATH OF SLIM SHADY’
FONTAINES D.C. ‘HERE’S THE THING’
WARGASM ‘D.R.I.L.D.O’
ALFIE TEMPLEMAN ‘BROKEN’
ENGLISH TEACHER ‘NOT EVERYBODY GETS TO GO TO SPACE’
GEORGIA ‘GIVE IT UP FOR LOVE’
MABEL ‘FEMALE INTUITION’
ENTER SHIKARI ‘BULL’
WELSHY ‘ALL FOR YOU’
COMMERCIALS
ADIDAS x HUMANRACE ‘NMD S1 MAHBS’
GUMTREE ‘GOODFINDS’
BOTHER ‘DON’T LET CUPBOARDS
CONTROL YOUR LIFE’
FASHION & EDITORIAL
SYDNEY PIMBLEY SS23 ‘FURTIVE TEAR’
LACRIMONY
ART & INSTALLATION
VAN ABBEMUSEUM ‘ALL FLIGHTS ARE FUELLED WITH LEPRECHAUN
WEE
AND MY BULLSHIT’
TERRA NEXUS ‘APOCALYPSE ROOM’
Director: Jesse May Fisher @Agile Films
Producer: Abbey Valentina
DOP: Samira Oberberg
LACRIMONY performs the potency of female corporeality through ecstatic ritual.
LACRIMONY performs the potency of female corporeality through ecstatic ritual. Tracing the archetype of the Witch, with her understanding of herbal medicine, fertility and the body, LACRIMONY imagines a gestational rite and honours the significance of ceremonial ritual during transitions of the body. Like the witch, the characters in the film operate within duality (good/bad) - their intentions remain veiled as their movements unfold within the earthy space.
Director Jesse May Fisher says: 'LACRIMONY responds to a personal history (a matrilineal mythology) - a story of my great-grandmother’s mental illness and institutionalisation in the 1950s after child birth. Back then, postpartum depression was sometimes called milk fever - it was thought that the breast milk went bad, fevered the brain and caused madness in the mother. Milk fever’s truth is unsettled and obscure. Passed down on the tongue of my grandmother it exists as an oral history and is therefore aligned with folkloric modes of knowledge.'
Girls In Film link
Producer: Abbey Valentina
DOP: Samira Oberberg
LACRIMONY performs the potency of female corporeality through ecstatic ritual.
LACRIMONY performs the potency of female corporeality through ecstatic ritual. Tracing the archetype of the Witch, with her understanding of herbal medicine, fertility and the body, LACRIMONY imagines a gestational rite and honours the significance of ceremonial ritual during transitions of the body. Like the witch, the characters in the film operate within duality (good/bad) - their intentions remain veiled as their movements unfold within the earthy space.
Director Jesse May Fisher says: 'LACRIMONY responds to a personal history (a matrilineal mythology) - a story of my great-grandmother’s mental illness and institutionalisation in the 1950s after child birth. Back then, postpartum depression was sometimes called milk fever - it was thought that the breast milk went bad, fevered the brain and caused madness in the mother. Milk fever’s truth is unsettled and obscure. Passed down on the tongue of my grandmother it exists as an oral history and is therefore aligned with folkloric modes of knowledge.'
Girls In Film link